Fake Ads is an applied improv exercise in which small teams create and perform a thirty-second television advertisement for an imaginary, impossible, or absurd product, including a dramatized pitch and an original jingle. The exercise uses the familiar format of commercial advertising as a scaffold for rapid creative collaboration, idea generation, and performance under time pressure.

Structure

Setup

Participants divide into teams of three to five. Each team receives a product prompt -- either assigned by the facilitator or generated by the group through word association or random selection. Products are typically impossible or absurd: a hat that tells the future, a reverse microwave, a subscription service for apologies.

Creation Phase

Teams have five to eight minutes to develop their advertisement. The ad must include: a product name, a dramatized benefit demonstration, a slogan, and a jingle (however brief). Teams must decide quickly -- there is not time for full consensus on every element.

Performance Phase

Each team performs their advertisement live, in real time, for the full group. No sets or props are required; everything is mimed or vocalized. Teams present in sequence.

Conclusion

The facilitator closes with a brief debrief recognizing specific moments of effective collaboration, creative risk-taking, or unexpected humor before moving into the broader learning conversation.

How to Teach It

Objectives

Fake Ads targets rapid ideation, collaborative decision-making under time pressure, comfort with imperfection, and the experience of committing to a creative direction without full certainty it will land. The performance requirement adds accountability to the creative process.

How to Explain It

"You're making a TV commercial. You have five minutes. The product is impossible -- that's the point. Find what's brilliant about it and sell it like you mean it."

Scaffolding

For groups new to improvisation, assign the product rather than asking teams to generate their own. A pre-determined prompt reduces the cognitive load of ideation and allows the creative energy to focus on development and performance.

Common Pitfalls

Teams often spend too long in planning and not enough time in rehearsal, arriving at the performance with a solid concept but no practice delivering it. The coaching note is that the jingle alone requires at least two run-throughs to land consistently. Build a brief rehearsal moment into the creation phase.

In Applied Settings

Learning Objectives

In applied settings, Fake Ads develops the creative collaboration skills that professional environments increasingly require but rarely practice: rapid idea generation, the willingness to build on a direction before it is fully formed, distributed creative ownership across a small team, and the courage to present work that is deliberately imperfect. The commercial format is familiar enough to be accessible and playful enough to lower the stakes of creative risk.

Workplace Transfer

The transfer to workplace innovation, pitch preparation, and cross-functional collaboration is direct. Teams that have created and performed a Fake Ad together have already navigated the micro-dynamics of collaborative creativity: whose idea leads, how disagreements are resolved under time pressure, what role each person plays in a shared creative product, and how to commit to a direction even when it is not perfect. These are the same dynamics that govern real product development, marketing, and strategic planning sessions.

Facilitation Context

Fake Ads is used in creativity and innovation workshops, team-building programs, communication training, and design thinking sessions. It works well as a midday energizer or as a standalone thirty-minute module. Groups of 12 to 30 work well, with teams of three to five performing for the full group.

Debrief Framing

Ask participants: "How did your team make decisions under the time pressure? Whose ideas shaped the ad? What did you have to let go of in order to keep moving? What does that feel like in your real work when you have to move before you're ready?"

Worth Reading

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How to Reference This Page

APA

The Improv Archive. (2026). Fake Ads. Retrieved March 17, 2026, from https://improvarchive.org/exercises/fake-ads

Chicago

The Improv Archive. "Fake Ads." The Improv Archive, 2026. https://improvarchive.org/exercises/fake-ads.

MLA

The Improv Archive. "Fake Ads." The Improv Archive, 2026, https://improvarchive.org/exercises/fake-ads. Accessed March 17, 2026.

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