Horatio Sanz
Horatio Sanz is a Santiago-born, Chicago-raised comedian and actor who trained under Del Close at ImprovOlympic, performed at Second City Chicago, and became a founding member of the Upright Citizens Brigade sketch comedy troupe in the early 1990s. He joined Saturday Night Live as a featured player in 1998, becoming the first Latino cast member in the show's history, and was promoted to repertory cast member after one season, remaining on the show through 2006. He has continued performing in improv and sketch comedy contexts, including ASSSSCAT 3000 at Upright Citizens Brigade Theatres.
Career
Horatio Sanz was born in Santiago, Chile, and raised in Chicago, where he became part of the city's improvisational comedy community. He trained under Del Close at ImprovOlympic, the Chicago institution co-founded by Close and Charna Halpern where the Harold long-form format was developed, immersing himself in the ensemble performance tradition that Close had developed and refined into a systematic training curriculum. Close's teaching emphasized total commitment to character, genuine ensemble listening, and the pursuit of pattern and theme rather than the accumulation of individual joke moves, and Sanz's training under Close gave him the foundational ensemble sensibility that would shape his subsequent career.
Sanz performed at Second City Chicago, the institution at the center of Chicago's comedy ecosystem, developing his character work and ensemble skills in the Second City revue format alongside other performers moving through the institution's training program and touring company structure. Second City's approach to revue development, combining scripted scenes, character work, and improvised suggestions from audiences for additional scenes, provided Sanz with experience in both the scripted and improvisational dimensions of ensemble comedy performance.
In the early 1990s Sanz became a founding member of the Upright Citizens Brigade, the sketch comedy troupe that Matt Besser assembled from the Chicago improvisational comedy community. The original UCB group included Besser, Sanz, and eventually Amy Poehler and Matt Walsh, who joined after Poehler's training at ImprovOlympic and iO. UCB moved to New York and performed at various venues before establishing its home theater on West 26th Street in 1999, which became the anchor institution for the long-form improv tradition in New York. UCB's training center subsequently expanded to multiple locations in New York and Los Angeles, and the UCB model became one of the most widely distributed frameworks for improv education in American comedy.
In 1998 Sanz joined Saturday Night Live as a featured player, becoming the first Latino cast member in the show's twenty-three-year history. He was promoted to repertory cast member after his first season, joining fellow promoted players Jimmy Fallon and Chris Parnell in the 1999 cast reconfiguration. He remained on Saturday Night Live through 2006, performing across eight seasons. During his tenure he developed a range of recurring characters and ensemble sketch contributions, and his time on the show overlapped with cast members including Will Ferrell, Tina Fey, Amy Poehler, Seth Meyers, and Kenan Thompson, contributing to the show's identity across the late 1990s and early 2000s.
After leaving Saturday Night Live, Sanz continued performing in improv and sketch comedy contexts, including appearances in ASSSSCAT 3000, the longstanding unscripted improv showcase at Upright Citizens Brigade Theatres that has featured major figures in Chicago-lineage improv since the early 2000s. He has also appeared in film and television projects in character and comedic roles, maintaining an active presence in the broader comedy industry.
Historical Context
Sanz's founding membership in the Upright Citizens Brigade, his training under Del Close at ImprovOlympic, and his Second City Chicago experience placed him at the center of the Chicago improvisational comedy community during the early 1990s, when that community was generating the institutional and artistic developments that would reshape American comedy. The UCB troupe's emergence from Chicago and its subsequent New York establishment represented one of the most significant transfers of the Chicago improv tradition to the East Coast market, and Sanz's founding role in that institution connects him directly to that history.
His selection as the first Latino cast member in Saturday Night Live's history in 1998 marked a demographic milestone for the program, which had been criticized for its historical lack of diversity since its 1975 founding. Sanz's eight-season tenure at SNL coincided with a period when the show's cast was drawn heavily from the Chicago improv and sketch community, reflecting the sustained productivity of Second City, ImprovOlympic, and the broader Chicago training ecosystem in generating performers who could sustain the demands of live weekly sketch comedy. His presence at the show during this period contributed to both its creative output and its demographic evolution.
Legacy
Sanz's foundational role in the Upright Citizens Brigade connects him to the institutional history of what became one of American comedy's most influential organizations, with UCB training centers in New York and Los Angeles producing alumni who have shaped television, film, and online comedy across the following two decades. His participation in UCB's founding places him among the figures whose creative collaboration built one of the most important improv institutions of the late twentieth and early twenty-first centuries.
His status as the first Latino cast member in Saturday Night Live history marks a specific moment in the show's demographic evolution, documenting both a milestone and the conditions that had precluded it for twenty-three years. For subsequent Latino performers in the American comedy industry, his SNL debut represented a visible precedent in an institution that had historically reflected the demographic composition of its founding network.
His sustained career in improv performance contexts, including ongoing ASSSSCAT appearances and other showcase work, reflects the enduring hold of the improvisational form on performers trained in the Chicago tradition, for whom the stage performance of improv remains a creative practice alongside screen and touring careers.
Early Life and Training
Horatio Sanz was born on June 4, 1969, in Santiago, Chile, and grew up in Chicago, Illinois.
Personal Life
Horatio Sanz was born on June 4, 1969, in Santiago, Chile.
Recommended Reading
Books are ordered from the strongest direct connection outward to broader relevance.

Process: An Improviser's Journey
Mary Scruggs; Michael J. Gellman

The Improv Illusionist
Using Object Work, Environment, and Physicality in Performance
David Raitt

The Actor's Book of Improvisation
Sandra Caruso; Paul Clemens

Improv Comedy (20th Anniversary Edition)
Andy Goldberg

Something from Nothing
The Technique of Improvisation
Richard Goteri

Book on Acting
Improvisation Technique for the Professional Actor in Film, Theater & Television
Stephen Book
References
How to Reference This Page
The Improv Archive. (2026). Horatio Sanz. Retrieved March 17, 2026, from https://improvarchive.org/people/horatio-sanz
The Improv Archive. "Horatio Sanz." The Improv Archive, 2026. https://improvarchive.org/people/horatio-sanz.
The Improv Archive. "Horatio Sanz." The Improv Archive, 2026, https://improvarchive.org/people/horatio-sanz. Accessed March 17, 2026.
The Improv Archive is a systemically maintained repository. The archive itself acts as the corporate author.