Joe Bozic
Joe Bozic is a Minneapolis-based improviser, director, educator, and sketch comedy writer who co-founded HUGE Improv Theater in Minneapolis in 2005 alongside Jill Bernard, Mike Fotis, Nels Lennes, and Butch Roy, and served as Director of the Brave New Workshop Student Union from 2009 to 2014. Before relocating to Minneapolis from Chicago in 2001, he performed with independent improv groups and subsequently became a resident company member of Brave New Workshop, appearing in more than twenty shows during his tenure. With Mike Fotis, he forms the absurdist improv and sketch duo Ferrari McSpeedy, a fixture in the Minneapolis Fringe Festival and regional improv community.
Career
Joe Bozic relocated from Chicago to Minneapolis in 2001 and quickly established himself in the Twin Cities improv scene, performing with independent improv groups including Fingergun and forming Ferrari McSpeedy with Mike Fotis, an absurdist improv and sketch comedy duo that developed a reputation for fast-paced comedy with committed physical performance at the Minnesota Fringe Festival and in the local long-form improv community. Ferrari McSpeedy developed into one of the Twin Cities' most distinctive performance acts, their work characterized by rapid-fire commitment to premises and a willingness to sustain absurdist premises across full show lengths that set the duo apart from more conventionally naturalistic improv ensembles. Both Bozic and Fotis maintained connections to Brave New Workshop, the nation's oldest continuously operating sketch comedy theater, founded by Dudley Riggs in Minneapolis in 1958.
In 2003, Bozic began working at Brave New Workshop. By 2006, he became a resident company member of the BNW main stage, performing in more than twenty shows during his tenure and developing experience within the distinct tradition of social satire and political sketch comedy that Brave New Workshop had maintained since the late 1950s. The BNW's topical satire format, which refreshed material every few weeks to respond to current events and cultural shifts, required performers to develop a facility with rapid material generation and audience responsiveness that differed from the open-ended character and scene work of long-form improv.
In 2005, Bozic co-founded HUGE Improv Theater in Minneapolis with Jill Bernard, Mike Fotis, Nels Lennes, and Butch Roy. HUGE was conceived as the Twin Cities' first and only theater dedicated exclusively to teaching and performing long-form improvisation, providing the Minneapolis improv community with an institutional home for the Harold and related forms that the region had lacked. The theater moved into its permanent home at 3037 Lyndale Avenue South in Minneapolis's Uptown neighborhood in 2011, operating a 100-seat dedicated performance space. Bozic served as one of the theater's founding leaders through its establishment and growth.
From 2009 to 2014, Bozic served as Director of the Brave New Workshop Student Union, the training school for improv and sketch comedy that operated in parallel with the BNW main stage. The Student Union served more than two hundred students weekly at its peak, making it one of the larger improv and sketch comedy training programs in the Midwest. He shared director duties with Mike Fotis during this period. Following his Student Union directorship, he continued teaching sketch writing at the BNW Student Union.
Bozic is registered as a teacher on The Improv Network, the professional directory for improv educators, and has taught both performance-level long-form improvisation and sketch comedy writing across the Twin Cities comedy community.
Historical Context
The founding of HUGE Improv Theater in 2005, in which Bozic participated, contributed to Minneapolis's establishment as a recognized long-form improv center outside the Chicago-New York axis that had historically defined the form's institutional geography. HUGE's exclusive commitment to long-form performance and training, at a time when most regional theaters mixed formats, reflected a pedagogical conviction that the Harold and related forms required dedicated institutional support to develop the ensemble depth they demanded. The theater's existence gave the Twin Cities a venue where long-form improv could be practiced and taught without the commercial format compromises that venues with mixed programming typically required.
Brave New Workshop's history, within which Bozic developed as a performer and educator, represents a distinct tradition in American comedy that preceded the Chicago improv institutions by nearly a decade. Dudley Riggs founded BNW in Minneapolis in 1958, one year before Second City opened in Chicago, making it one of the earliest American institutions to present regular improvisational and satirical comedy to a public audience. Bozic's work across both BNW and the long-form tradition represented by HUGE gave him a perspective that bridged the older satirical revue tradition and the Harold-based long-form approach that Second City and iO had developed in Chicago.
Legacy
Bozic's co-founding of HUGE Improv Theater and his five-year leadership of the Brave New Workshop Student Union established him as one of the central figures in the development of the Twin Cities' improv infrastructure during the 2000s and early 2010s. The Brave New Workshop Student Union under his direction grew to serve more than two hundred students weekly, providing the Midwest's most substantial improv and sketch comedy training program outside Chicago. HUGE's long-form focus gave the Twin Cities a permanent institutional identity in the national improv community, contributing to the recognition of Minneapolis as a city with its own distinct improv tradition rather than as a satellite of Chicago or New York.
Ferrari McSpeedy's sustained presence at the Minnesota Fringe Festival and in the regional improv community has established Bozic and Fotis as characteristic representatives of the Twin Cities improv aesthetic, which has developed its own comedic sensibility through the particular combination of long-form training and Brave New Workshop's satirical tradition that the city's institutional history made available.
Early Life and Training
Joe Bozic began performing improvisation in Chicago before relocating to Minneapolis in 2001. He moved to the Twin Cities to continue developing his comedy career in the Midwest improv community.
Personal Life
Joe Bozic relocated from Chicago to Minneapolis in 2001 and has based his career there since, performing, teaching, and directing across the Twin Cities comedy community.
Recommended Reading
Books are ordered from the strongest direct connection outward to broader relevance.

Group Improvisation
The Manual of Ensemble Improv Games
Peter Campbell Gwinn; Charna Halpern

Improvise!
Use the Secrets of Improv to Achieve Extraordinary Results at Work
Max Dickins

Putting Improv to Work
Spontaneous Performance for Leadership, Learning, and Life
Greg Hohn

The Art of Making Sh!t Up
Using the Principles of Improv to Become an Unstoppable Powerhouse
Norm LaViolette; Bob Melley

Comedy and Distinction
The Cultural Currency of a 'Good' Sense of Humour
Sam Friedman

Process: An Improviser's Journey
Mary Scruggs; Michael J. Gellman
References
How to Reference This Page
The Improv Archive. (2026). Joe Bozic. Retrieved March 19, 2026, from https://improvarchive.org/people/joe-bozic
The Improv Archive. "Joe Bozic." The Improv Archive, 2026. https://improvarchive.org/people/joe-bozic.
The Improv Archive. "Joe Bozic." The Improv Archive, 2026, https://improvarchive.org/people/joe-bozic. Accessed March 19, 2026.
The Improv Archive is a systemically maintained repository. The archive itself acts as the corporate author.