Flatmates Just Do Nothing

Flatmates Just Do Nothing is a scene exercise in which performers play roommates engaged in completely mundane, low-stakes activity -- watching television, eating cereal, folding laundry -- with no dramatic agenda imposed from outside. The exercise trains the ability to be fully present in an ordinary moment, to find authentic relationship texture in ordinary behavior, and to trust that genuine connection and specificity are sufficient engines for scene without the need for conflict or event.

Structure

Setup

Two to three performers establish a shared domestic space. No special staging is required. Props can be mimed or actual. The facilitator gives the minimal instruction: be at home doing nothing in particular.

Progression

Performers simply inhabit the space together, doing small domestic tasks or simply existing in proximity. There is no inciting incident, no dramatic problem to solve. The performers talk, are quiet, interact obliquely, or exist in comfortable or uncomfortable silence -- whatever is true in the moment.

The facilitator watches for the specific texture of the relationship to emerge from the small behavior: who takes more space, who speaks first, how they share, what goes unsaid. The exercise may last five to ten minutes without any external coaching.

Conclusion

The facilitator stops the scene and debriefs what was observed -- what the relationship between these specific people revealed itself to be, and where the scene's truth lived.

How to Teach It

Objectives

Flatmates Just Do Nothing targets presence, authentic relationship expression, and the ability to resist the impulse to manufacture dramatic events. The exercise directly addresses the improvisational impulse to add conflict or event rather than trust the people onstage.

How to Explain It

"Nothing has to happen. You're just home. Be with each other in that."

Scaffolding

This exercise works best with ensembles who have developed some basic scene vocabulary and are ready to challenge their reliance on event-driven story. It is less appropriate as a first scene exercise and more useful as a corrective for groups who are avoiding the present moment by chasing plot.

Common Pitfalls

Performers almost always introduce a conflict within the first minute -- they cannot sustain the absence of event. The coaching note is not to forbid conflict, but to notice the impulse: the moment a dramatic move is introduced, freeze the scene and ask the performer what just happened in them that made that necessary.

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Surprise Movement

Surprise Movement is an exercise in which performers interrupt their own scenes or monologues with sudden, unexpected physical movements, then justify those movements within the scene's reality. The exercise develops physical spontaneity and the skill of incorporating accidents and impulses as offers.

Create Obstacles

Create Obstacles is a scene exercise in which performers deliberately introduce complications and barriers to their characters' goals. The exercise teaches that obstacles are the engine of dramatic interest: characters who get what they want without resistance produce flat, unengaging scenes. By practicing the creation of obstacles, performers develop the instinct to generate tension and problem-solving pressure from within the scene rather than waiting for obstacles to arrive from outside.

Simple Continuation

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How to Reference This Page

APA

The Improv Archive. (2026). Flatmates Just Do Nothing. Retrieved March 19, 2026, from https://improvarchive.org/exercises/flatmates-just-do-nothing

Chicago

The Improv Archive. "Flatmates Just Do Nothing." The Improv Archive, 2026. https://improvarchive.org/exercises/flatmates-just-do-nothing.

MLA

The Improv Archive. "Flatmates Just Do Nothing." The Improv Archive, 2026, https://improvarchive.org/exercises/flatmates-just-do-nothing. Accessed March 19, 2026.

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