Create Obstacles

Create Obstacles is a scene exercise in which performers deliberately introduce complications and barriers to their characters' goals. The exercise teaches that obstacles are the engine of dramatic interest: characters who get what they want without resistance produce flat, unengaging scenes. By practicing the creation of obstacles, performers develop the instinct to generate tension and problem-solving pressure from within the scene rather than waiting for obstacles to arrive from outside.

Structure

Setup

Two performers establish a scene with a clear want or goal for each character. The coach frames the exercise: both performers actively introduce obstacles to their own and each other's goals as the scene progresses.

Types of Obstacles

Obstacles can be external (an object fails, a third party intervenes, the environment changes), internal (the character's own conflicting wants, fears, or memories complicate their pursuit), or relational (the other character's goals conflict with one's own, or the relationship itself creates complications). Performers practice all three types.

Progression

The scene runs with performers consciously generating obstacles. After five to eight minutes, the coach pauses the scene and identifies which obstacles were most dramatically effective and why. A second round allows performers to apply the feedback.

Conclusion

The exercise concludes with a brief coaching discussion on how the scenes felt different from scenes where performers waited for obstacles rather than creating them.

How to Teach It

Objectives

Create Obstacles targets dramatic construction, the understanding of want-and-obstacle as the basic unit of scene energy, and the development of the performer's instinct to complicate rather than resolve. It addresses the very common pattern of improvisers who clear each other's obstacles too quickly, producing scenes that have nothing to push against.

How to Explain It

"In this scene, your character wants something. Other things keep getting in the way. Your job is to make those things appear -- not to stop the other person from wanting what they want, but to make the path to it more interesting. Create the complications from inside the scene."

Common Sidocoaching

  • "What just got in the way?"
  • "What does your character want that conflicts with that?"
  • "The obstacle doesn't have to be dramatic -- even small friction counts."

Common Pitfalls

Performers sometimes interpret obstacle creation as blocking: refusing to let the other character advance, which collapses scenes into impasse. Distinguish between obstacles that complicate pursuit (which generates energy) and blocks that prevent it (which stop scenes). A second pitfall is performers who create only external obstacles and miss the richness of internal and relational ones.

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Related Exercises

Simple Continuation

Simple Continuation is a scene exercise in which a facilitator starts a scene with a basic premise and the performers continue from that point, practicing the skill of receiving an offer and building on it without the pressure of initiating from scratch.

Surprise Movement

Surprise Movement is an exercise in which performers interrupt their own scenes or monologues with sudden, unexpected physical movements, then justify those movements within the scene's reality. The exercise develops physical spontaneity and the skill of incorporating accidents and impulses as offers.

Premise Lawyer

Premise Lawyer is a scene exercise in which one performer acts as an advocate for the scene's central premise, arguing for its logic and defending its reality whenever it is challenged or abandoned. The exercise teaches players to commit fully to established premises and resist the temptation to bail out when an idea feels risky.

Who Where Why Am I

Who Where Why Am I is a solo and ensemble scene-starting exercise in which performers establish the full context of a scene through action and environment rather than dialogue, committing to a specific who, where, and why before the first word is spoken, training physical specificity, environmental grounding, and intentional entry.

Scenes That Bring You Joy

Scenes That Bring You Joy is a scene exercise in which performers are invited to play only scenes that genuinely delight them, prioritizing personal pleasure and authentic enthusiasm over trying to be clever or funny. The exercise resets performers toward play and away from performance anxiety.

Annoyance Scenes

Annoyance Scenes is an exercise rooted in the Annoyance Theatre tradition of finding the truth in aggressive, high-energy play. Performers practice scenes in which characters pursue strong wants with unapologetic directness. The exercise builds confidence in making bold choices and playing at the top of one's intelligence.

How to Reference This Page

APA

The Improv Archive. (2026). Create Obstacles. Retrieved March 19, 2026, from https://improvarchive.org/exercises/create-obstacles

Chicago

The Improv Archive. "Create Obstacles." The Improv Archive, 2026. https://improvarchive.org/exercises/create-obstacles.

MLA

The Improv Archive. "Create Obstacles." The Improv Archive, 2026, https://improvarchive.org/exercises/create-obstacles. Accessed March 19, 2026.

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