Columns/pillars

Columns/Pillars is a scene game in which two or more simultaneous scenes share the stage, separated by imagined walls or columns. Players switch between scenes, and thematic or verbal connections between them emerge organically. The structure rewards performers who listen across scenes and find resonant parallels.

Structure

Setup

  • The playing space is divided into two or more areas by imagined walls, columns, or other architectural elements.
  • Each area hosts a separate, simultaneous scene.
  • Performers are assigned to scenes at the start and transition between scenes when the action demands it.

How Simultaneous Scenes Work

  • Both scenes play concurrently, with performers switching focus between them.
  • The audience watches both scenes developing at once, often catching dialogue from one scene while watching action in another.
  • The host or a director may call explicit cuts between scenes, or performers may transition organically.

The Resonance Engine

  • The primary engine of the game is the unexpected connection: a line or action in one scene resonates with or comments on what is happening in the adjacent scene.
  • Performers who can hear across scenes and allow those connections to shape their choices produce the strongest work.
  • Connections can be verbal (the same word appears in both scenes at the same moment), thematic (both scenes explore the same dynamic from different angles), or structural (both scenes reach a turning point simultaneously).

Variations

  • Three simultaneous scenes can be run in a triangular arrangement.
  • The imaginary walls can be made permeable: a character from one scene steps through the column into the other, changing both scenes at once.

How to Teach It

How to Explain It

"You are in two separate scenes happening at the same time in the same space, divided by imaginary walls. You cannot see or hear each other through the walls. But the audience can see and hear both. Play your scene fully. The connections will happen."

Common Notes

  • Performers must resist the temptation to play for the connection. The connection is most powerful when it arises from each scene being fully committed on its own terms.
  • The director or host should allow both scenes time to establish before signaling transitions. Scenes that switch too quickly before they have any content produce no resonance.
  • Coaching focus: "You are listening to the other scene and it is changing you" versus "You are listening to the other scene and waiting for your cue."

Common Pitfalls

  • One scene dominates and the other becomes a reaction track. Both scenes need independent life.
  • The resonance connections are too on the nose: performers deliberately mirror each other rather than finding genuine parallel from within each scene's logic.
  • Performers break the imaginary wall by directly acknowledging or reacting to the other scene.

How to Perform It

Audience Intro

"We are going to play two scenes at the same time in the same space, separated by imaginary walls. The characters in each scene cannot see or hear the other. You can see and hear both. Watch for the connections."

Cast Size

  • Ideal: Four performers, two per scene.
  • Three-scene versions require six performers and a clear director.

Staging

  • Define the boundary clearly with tape, chairs, or lighting if available.
  • Both scenes should be fully visible to the audience simultaneously.

Wrap Logic

  • The host ends both scenes when a strong resonant connection lands, or after each scene has completed its own arc.

Worth Reading

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Related Games

Pillars/columns

Pillars/Columns is a variant of the Pillars game in which two or more performers serve as human columns that deliver random lines when touched by scene players. The scene players must seamlessly integrate each interjected line into the ongoing narrative. The game emphasizes justification skills and the ability to maintain scene coherence despite constant disruption.

Pillars

Pillars is a short-form game in which two or more players stand stock-still onstage as human pillars. Scene players perform a two-person scene, and whenever a scene player taps a pillar, that pillar delivers a random line of dialogue. The scene player must immediately accept and incorporate the line into the scene. The unpredictable verbal intrusions test the performer's ability to justify bizarre offers on the spot and maintain scene logic under pressure.

Meanwhile

Meanwhile is a short-form game in which multiple scenes run in parallel, connected by the transitional word that gives the game its name. When a player or host calls the transition, the current scene freezes and a new scene begins in a different location, time period, or context. The game trains performers in quick context-switching, scene memory, and the ability to pick up a frozen scene exactly where it left off. Callbacks and connections between the parallel storylines elevate the game from a scene-switching exercise into a web of interlocking narratives.

3 Series

3 Series is a short-form game in which three unrelated scenes run simultaneously. The host or caller switches between the scenes, and performers must pick up each thread exactly where it left off. The game tests memory, commitment, and the ability to sustain multiple narratives at once.

3 Lines

3 Lines is a scene game in which each performer enters with exactly three predetermined or improvised lines that they must use during the scene. Players weave their fixed lines into the emerging narrative, creating unexpected connections. The constraint generates surprising juxtapositions and trains adaptability.

Cloud Atlas

Cloud Atlas is a long-form narrative game in which an ensemble builds multiple storylines across different time periods or settings, connected not by shared plot but by shared thematic resonance. Performers track parallel narrative threads, each carrying a version of a central image or emotional truth, allowing meaning to emerge from pattern and echo rather than linear causation.

How to Reference This Page

APA

The Improv Archive. (2026). Columns/pillars. Retrieved September 28, 2026, from https://improvarchive.org/games/columnspillars

Chicago

The Improv Archive. "Columns/pillars." The Improv Archive, 2026. https://improvarchive.org/games/columnspillars.

MLA

The Improv Archive. "Columns/pillars." The Improv Archive, 2026, https://improvarchive.org/games/columnspillars. Accessed September 28, 2026.

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