Controversial Take: Improv Should Never Be Taken Seriously

Mick Napier delivers a guest tip on the PVImprov channel arguing that treating improvisation as low-stakes frees performers to take bigger risks. The segment explores how releasing the pressure of significance can paradoxically improve the quality and boldness of scene work.

Hosted by Paul Vaillancourt with Jennifer Estlin.

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Most Destructive Thing Every Improviser Must STOP Doing

Joe Bill discusses a common habit that undermines improvisers' work, offering perspective on the internal struggles artists face in performance and practice. The episode is part of PVImprov's tip series hosted by Paul Vaillancourt and features commentary from David Razowsky, Jill Bernard, Mark Sutton, Mick Napier, Patti Stiles, Stacey Hallal, and Susan Messing.

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Improv Tip #156 The Four Horsemen of the Scenic Apocalypse (w/Rob Reese) (2020)

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Improv TIp #146 - How To Unstick Your Improv (w/Jay Sukow) (2020)

Guest tipper Jay Sukow offers advice on breaking through plateaus and sticking points in improvisation. The tip centers on returning to foundational principles when scene work stalls, a theme common across multiple pedagogical traditions referenced in the episode.

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Improv Tips #95 - Keep Growing (w/ Armando Diaz) (2017)

Armando Diaz, founder of the Magnet Theater in New York, offers advice on the importance of continuous growth throughout an improviser's career. Part of the PVImprov educational tip series hosted by Paul Vaillancourt.

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Improv Tips #87 - Commitment To Reality (w/ Bob Kulhan) (2017)

Bob Kulhan discusses commitment to reality as a foundational improv skill. The tip centers on the idea that improvisers can sustain scenes of any scope or intensity as long as they fully commit to the internal logic of the world they have established.

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Improv Tips #75 - It's Okay To Be Lost (w/ guest tipper Lauren Morris) (2016)

Episode 75 of the Improv Tips series from Paul Vaillancourt's PVImprov channel, featuring guest tipper Lauren Morris. Morris addresses the common experience of feeling lost during a scene, framing it as a normal part of improvisation rather than a failure, and discusses strategies for using that uncertainty productively.

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