Lois Kaz

Lois Kaz is an American comedy institution figure who worked on the staff of The Second City in Chicago for decades. She was the former wife of Fred Kaz, the legendary musical director who served at Second City for nearly thirty years (1959-1989). Her name became permanently associated with a landmark moment in Second City history when the first fully improvised long-form show on the e.t.c. stage was named Lois Kaz in her honor in 1994, directed by Noah Gregoropoulos and featuring a cast that included Adam McKay, Scott Adsit, Dave Koechner, and Nancy Walls.

Kaz worked on the staff at The Second City for decades, contributing to the daily operations of one of America's most important comedy institutions. While her specific role titles and responsibilities have not been extensively documented in public sources, her long tenure at Second City placed her at the center of the company's creative output across multiple eras of the theatre's history. Staff members at Second City play essential roles in sustaining the institution's ability to produce shows, manage training programs, and maintain the organizational infrastructure that enables performers to focus on their creative work.

Her connection to Second City was both professional and personal. Her former husband, Fred Kaz, served as The Second City's musical director from the early 1960s through his retirement in 1989. Fred Kaz was recruited by Paul Sills, Second City's co-founder, who envisioned theatrical improvisation performed in the spirit of improvisational jazz. For nearly three decades, Fred's musical accompaniment shaped the rhythms and emotional dynamics of Second City's improvisational and sketch performances, and his presence in the theatre overlapped with Lois's own staff work at the company. During this period, Second City produced the shows and performers that would define American comedy for generations.

In 1994, director Noah Gregoropoulos created the first fully improvised long-form show in The Second City's history for the e.t.c. stage, and named it Lois Kaz. The show represented a significant departure for Second City, which had historically focused on scripted sketch revues developed through improvisation rather than presenting improvisation itself as the final product. The naming honored a woman whose quiet, sustained service had made her a beloved fixture within the Second City community, recognizing the often-invisible institutional labor that keeps major comedy organizations running.

The Lois Kaz show was similar to other pioneering long-form formats like Jazz Freddy in its approach to scene work and editing techniques, but Gregoropoulos encouraged cast members to create richer background environments by embodying physical objects like trees, tables, and other items alongside their character work. This physicalized approach to environmental scene support added a visual dimension that distinguished the format from the primarily verbal long-form work being performed at neighboring theatres like iO.

The cast of the Lois Kaz show reads as a who's who of 1990s Second City talent: Scott Adsit, Kevin Dorff, Adam McKay, Jon Glaser, Frances Callier, Miriam Tolan, Nancy Walls, Matt Dwyer, Theresa Mulligan, Dave Koechner, Brian Stack, and Dee Ryan. Many of these performers went on to major careers in television and film. Adam McKay became an Oscar-winning director and co-founded Funny or Die. Scott Adsit starred on 30 Rock. Dave Koechner appeared in Anchorman and numerous comedies. Nancy Walls (Carell) became a Daily Show correspondent and co-starred in The Office. Jon Glaser created and starred in Delocated and Neon Joe. Brian Stack wrote for Late Night with Conan O'Brien and The Late Show with Stephen Colbert for over two decades.

Historical Context

The naming of the Lois Kaz show in 1994 honored a woman whose long service at Second City had made her a beloved fixture of the institution. The decision to name the company's first fully improvised long-form show after a staff member rather than a performer or director reflected the respect that Kaz commanded within the Second City community. The show itself was historically significant as an acknowledgment that Second City, long associated with scripted revue comedy, could also embrace the fully improvised long-form formats that had become central to the work at iO and other Chicago theatres.

The timing of the Lois Kaz show in 1994 is notable. By that year, iO Theater had been developing the Harold and other long-form structures for nearly a decade, and the form was gaining increasing artistic credibility. Second City's decision to present a fully improvised show on the e.t.c. stage represented a significant institutional acknowledgment of long-form's legitimacy, from the company that had defined American improv through its scripted revue model since 1959.

Fred Kaz's influence on Second City's creative culture was immense. He accompanied the improvisational work of every Second City cast from the early 1960s through 1989, and his musical sensibility helped define the emotional texture of the company's performances. Lois's presence on the staff during this era connected her to one of the most creatively fertile periods in American comedy history.

Legacy

Lois Kaz's name endures in improv history through the landmark 1994 show that bears it. As the first fully improvised long-form production at The Second City's e.t.c. stage, the Lois Kaz show marked a moment when the institution acknowledged the artistic validity of formats pioneered at neighboring theatres. The show's extraordinary cast, which included future Oscar-winning director Adam McKay, 30 Rock star Scott Adsit, Anchorman's Dave Koechner, Daily Show correspondent Nancy Walls, and longtime Late Night writer Brian Stack, ensures that the Lois Kaz name remains associated with one of Second City's most talented cohorts.

The show also demonstrated that long-form improvisation could succeed within Second City's institutional framework, opening a door for subsequent fully improvised programming at the company. Gregoropoulos's physicalized approach to scene environments, where cast members embodied objects alongside characters, contributed a distinctive technique to the evolving vocabulary of long-form performance. Kaz's decades of service at The Second City represent the often-uncelebrated staff work that sustains major comedy institutions, and the naming of this historic show in her honor acknowledges that the creative output of any theatre depends on the people who keep its operations running.

References

How to Reference This Page

APA

The Improv Archive. (2026). Lois Kaz. Retrieved September 28, 2026, from https://improvarchive.org/people/lois-kaz

Chicago

The Improv Archive. "Lois Kaz." The Improv Archive, 2026. https://improvarchive.org/people/lois-kaz.

MLA

The Improv Archive. "Lois Kaz." The Improv Archive, 2026, https://improvarchive.org/people/lois-kaz. Accessed September 28, 2026.

The Improv Archive is a systemically maintained repository. The archive itself acts as the corporate author.